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The Pact

I don’t think this counts as a short story, but here is….The Pact.

The Pact- Margot

Of course, it would be up to me to chronicle this moment. I’m the writer of the group, and it’s up to me to capture this sliver in time. As the graduates of 2025, we were hopeful for our emergence into the fray of optimistic students becoming qualified.  

So welcome to my friend group. There was Hayley, the artist shackled to the art gallery, who was the oldest and yet the least sensible. We had Sophia, the explorer of fashion business and the psychology of what she called, “the buy.” She liked to focus on the “why of the buy” rather than what was purchased. (This drove her employers to distraction.) Then every group needs the glue that holds the group together, Tonya was aiming to be a digital editor and was happy to work on any platform. Then there was me, Margot. Did I mention, I’m a writer? The scribe of our failings and destiny as we explored a hopeless job market.  

So maybe I should start with where it all began. The moment we decided on the pact. A pact which you will see had nothing to do with our degrees or purpose.  

“The first person to have sex has to buy us all a drink,” Hayley had said, before collapsing back in her chair. Her long black hair had fallen across her face, and one earring dangled precariously out of one ear. Who even knew where the other earring had fallen?  

Let me rewind up to just before the collapse of Hayley.  

“I want to be known for my mind,” Sophia had said, as she sipped delicately at her shot. She regarded us all, one after the other. Her blonde hair was cropped back to her ears, and her large blue eyes were surrounded by huge eyelashes enhanced by mascara. Our fashionista was dressed in a white halter and gold shorts, which glittered under the light.

“And I feel as though giving in too early is having the opposite effect for me.” 

“Ladies, may I present… our grandmother,” Tonya said in her deadpan way. Her skin was dark and without blemish. Smooth skin, full afro and miles of cocoa butter moisturised legs.  

Sophia stuck her tongue out, and Tonya chuckled.  

“You can’t compare her to my grandmother,” I said. “She’s quite the…entertainer.” 

What?” Tonya asked.  

“I’m serious,” Sophia continued as Tonya rolled her eyes. “I want love in all of its truth. I want the guy to be head over heels. They say the man should love the woman more; it lays the foundation.” 

“How about a pact?” I suggested. “Each of us will hold off on sex. The person who gives in first…well…that person…” 

And that’s when Hayley had piped up. “The first person to have sex buys us all a drink.” 

Then drunken collapse. 

“I see no point to this,” Tonya said.  

“What the sex or the drink?” I asked.  

“Any of it,” Tonya said.  

“What?” You afraid you won’t remember how it all works?” Sophia asked, smugly.  

“It’s not that…” Tonya said, narrowing her eyes.  

“Ha,” Sophia said. “ 

It’s not that…” Tonya said, narrowing her eyes. “What are we hoping to achieve?” 

“Not everything needs measurements and KPIs,” Sophia said. “This could be a fun little exercise in… self-control. Which is something I have a lot of. This will be easy for me.” 

“Aha, a challenge,” Tonya said. I almost saw her ears prick up. “Even easier for me. I’m in.” 

“Maybe we should clean her up,” I said, gesturing to Hayley.  

We jumped up and proceeded to try and lift Hayley. She opened her eyes and looked blearily at us. She put a thumbs up and then promptly fell forward. We helped her up, and Sophia and I took her arms. Tonya got a taxi through the app.  

We made our way outside and climbed into the back of the taxi. Sophia loved giving her views to the drivers, which meant I could rest back.  

“Are we seriously going to do this?” Tonya asked me. “I have a date tomorrow night.” 

“Ah, your first test,” I said, grinning.  

“You sound like Sophia,” Tonya said, relaxing back on the plush seat of the taxi, as Sophia talked happily to Daniel, our driver.  

We hurtled around Birmingham and finally made it to our flat. Oh, and by the way, we’re housemates. We stumbled into the house, and Ellie eyed us from far off in the lounge. Our other housemate preferred to bury herself in books and move about the house in a blanket. By the time we had settled Hayley onto the sofa, Ellie had disappeared.  

“Cider, anyone?” Sophia asked, coming out of the kitchen with a bottle.  

“We’ve learnt nothing,” Tonya said, shaking her head.  

“So, you don’t want any?” Sophia asked.  

“I didn’t say that”, Tonya said before bursting into one of her traffic-stopping laughs. 

 

Suddenly, my phone started buzzing. I looked down at the screen, “Do Not Answer.” 

“Jason,” I said warily.  

“I’m outside,” he said.  

“Coming,” I said.  

“And then there were three,” Tonya giggled and nudged Sophia, who looked at me, grinning.  

“Oh, whatever,” I said, as cleverly as I could manage.  

A sort of ending. I cannot remember how this novel was meant to end. Yes, it was to be a novel. Oh well!

Saturday’s child- Tale 5

This was a snapshot of my journey of becoming an author and hopefully showed where my desire came from. I remember speaking to a woman at work about calling and discovering your purpose. She was in her 50s and said she’d never really figured it all out. She suggested taking it a day at a time. I believe that you reach certain seasons in your life, and your purpose can change.  

Do you feel you know your purpose?  

Saturday’s child- Tale 4

The summer before going to secondary school, I sent stories to publishers. I received rejections for my handwritten submissions, but some wrote back to me with advice. One even sent me a poster which showed me the publishing process, which I have to this day. I allowed secondary school to wash over me, as stressful as that time was. In year nine, I gave a teacher a story I’d written and requested feedback. She left it on her desk. Some of my peers found it, and the usual mockery began over it.  

What steps have you taken to make your dreams come true? How has that changed you?

Saturday’s child- Tale 3

So, when did the writer dream form? I was a kid who liked to write stories. My dad showed me and my brother how to make books out of cardboard and paper. I read widely, enjoying Jacqueline Wilson, Judy Blume and a variety of different authors. I felt at home in Handsworth library, where I would walk out with a pile of books. When I was in year six, I wrote a story I’d written at my teacher’s invitation. He said, “you should be a writer.” In that moment, it all made sense.  

Was there anyone who poured into you as a young person? What did they say to you?  

Saturday’s child- Tale 2

I have a large family. There were eight children on my dad’s side and six on my mum’s. There is something about growing up in a huge family, such as mine. There was always someone to hang out with. This was my background, and growing up, I wanted to be an actor. I had a deep desire to be seen, as I often felt I faded away among the cousins and siblings. There was also the allure of pretending to be someone else, and I wanted to be in the theatre.  

What did you want to be when you were a child, and how has that changed?  

Saturday’s Child – Tale 1

“I was born on a Saturday. My parents met in a Pentecostal church, and the result of their union was us. Six siblings were born into a family, and as the eldest child, I was extremely protective of the others. Online, I have seen eldest sisters speaking about their feelings of almost having brought their siblings into the world…well, without the pain. I was, and I am proud of them. I spoke highly of them as a teen, well…when I wasn’t telling them to get out of my room.”

Where are you in your family, and do you think it’s had an impact on your identity?  

The Curse of Being a Lit Freak 

Lit Freak: [noun] A person whose lifestyle is dictated by the fictional worlds built in the literature they identify with. 

Appealing to one who identifies with this name is simple, most read widely, they discuss books as though they are their children and are motivated by the feeling of accomplishment that comes with completing a book. Their passion is infectious as they quote Shakespeare, John Donne and Jane Austen. Some will only allow themselves to be moved by the classical works of fiction, or books they deem “worthy.” To them reading is a meal and they consider they’re time extremely precious. Others are drawn to what they imagine will change their lives, cult fiction for example. 

The art of producing a modern classic is to tap into the emotions that own all of us. Loneliness, jealousy and pain. Most of us will avoid these because it means tackling the emptiness within ourselves. The writer slowly reaches the understanding that they are a guinea pig, feeling these intense emotions so that they can present them to an audience. Readers have an expectation that the writer will guide them through it, explain what is necessary and keep them safe in unknown territory, a world built in the mind of another.